Lévy Gorvy Dayan, NEW YORK NY, U.S.A. at Art Basel Miami Beach 2025 Booth: G8
Artists exhibited:
Jean-Michel Basquiat, Thomas Houseago, Frank Stella, Alexander Calder , Simone Leigh, Mickalene Thomas, Francesco Clemente, Roy Lichtenstein, Cy Twombly, N. Dash, Joel Mesler, Gunther Uecker, Niki de Saint Phalle, Pablo Picasso, Aleksandra Waliszewska, Nicole Eisenman, Michelangelo Pistoletto, Andy Warhol, Leonor Fini, Richard Prince, Alison Watt, Sam Francis, Ed Ruscha, Tom Wesselmann, Tu Hongtao, Thomas Schutte, Christopher Wool

Lévy Gorvy Dayan
19 East 64th Street New York, NY 10065 +1 212 772 2004+1 121 772 2004 e-mail:
gallery's Multiple Locations :London, New York NY
December 5 > December 7 2025

Michelangelo Pistoletto Tenda bianca, 2024 Silkscreen on super mirror stainless steel 99¼ × 59¼ × 1 inches (252.1 × 150.5 × 2.5 cm) Jean-Michel Basquiat Untitled, 1981 Acrylic, oilstick, and spray paint on canvas Work: 51⅛ × 56½ inches (129.9 × 143.5 cm) Pablo Picasso Homme et femme nue, 1967 Oil and Ripolin on canvas Work: 39⅝ × 31⅞ inches (100.6 × 81 cm) Günther Uecker Riss , 1987 Acrylic and nails on canvas laid on board 59¹⁄₁₆ × 59¹⁄₁₆ inches (150 × 150 cm) Frank Stella Island No. 10 (Black Sketch), 1967 Fluorescent alkyd on vat dyed canvas 55⅛ × 55⅛ × 2⁹⁄₁₆ inches (140 × 140 × 6.5 cm) Simone Leigh Stack III, 2015 Poplar, gold leaf, and stoneware 108¾ × 14½ × 14½ inches (276.2 × 36.8 × 36.8 cm)
ABOUT ARTISTS : Jean-Michel Basquiat, Thomas Houseago, Frank Stella, Alexander Calder , Simone Leigh, Mickalene Thomas, Francesco Clemente, Roy Lichtenstein, Cy Twombly, N. Dash, Joel Mesler, Gunther Uecker, Niki de Saint Phalle, Pablo Picasso, Aleksandra Waliszewska, Nicole Eisenman, Michelangelo Pistoletto, Andy Warhol, Leonor Fini, Richard Prince, Alison Watt, Sam Francis, Ed Ruscha, Tom Wesselmann, Tu Hongtao, Thomas Schutte, Christopher Wool
Jean-Michel Basquiat
abstract: Jean-Michel Basquiat was born in Brooklyn to Haitian and Puerto Rican parents in 1960, and left home as a teenager to live in Lower Manhattan, playing in a noise band, painting, and supporting himself with odd jobs. In the late 1970s, he and Al Diaz became known for their graffiti, a series of cryptic statements, such as “Playing Art with Daddy’s Money” and “9 to 5 Clone,” tagged SAMO. In 1980, after a group of artists from the punk and graffiti underground held the “Times Square Show,” Basquiat’s paintings began to attract attention from the art world.Many of Basquiat’s works have been likened to the improvisational and expansive compositions of jazz. Often themes accumulate through multiple references on the surface, emerging as patterns out of gestural brushstrokes, symbols, inventories, lists, and diagrams. Most images in Basquiat’s works have double and triple meanings, some of which the artist discussed and others that he left undefined, remaining open to viewers’ interpretations. Basquiat sought and enjoyed unlikely collisions of imagery and words, massive influxes of information and stimuli that recreated the experience of being in a world by turns exciting, inspiring, oppressive, and toxic.
mail:This email address is being protected from spambots. You need JavaScript enabled to view it.
web: https://basquiat.com/
country: U.S.A.
city: NEW YORK NY
Roy Lichtenstein
mail:This email address is being protected from spambots. You need JavaScript enabled to view it.
web: https://lichtensteinfoundation.org/
country: U.S.A.
city: NEW YORK NY
Gunther Uecker
abstract: A central figure of Düsseldorf’s postwar Group Zero, Günther Uecker has for seven decades developed his reliefs comprising dynamic arrangements of nails. Born in 1930 in Wendorf, Germany, Uecker studied at the Kunsthochschule Berlin Weissensee and Kunstakademie in Düsseldorf, where he lives and works today. In the 1950s, influenced by Eastern philosophy and Gregorian chanting, he began a ritual of hammering nails. These materials signify protection and creation to the artist, who remembers nailing planks over the windows of his home to deter Soviet troops after the Second World War. By 1957, he was hammering nails onto canvas to achieve a “sundial” optical effect, casting light and shadow in ephemeral patterns. Soon, he integrated lightboxes, rotating discs, television sets, and chairs (Stuhl, 1963) into his nail sculptures. In 1961, Uecker joined Heinz Mack and Otto Piene in the anti-expressionist movement Group Zero, which prioritized expanding beyond the traditional dimensions of the canvas into kinetic, serial, and participatory realms. After the group’s dissolution in 1966, Uecker’s work incorporated aspects of conceptual and land art, and he began designing stage sets for operas. Among his public works are From Darkness to Light at the United Nations, Geneva (1978) and a Reflection and Prayer Room for the Reichstag, Berlin (1998–99). In 2020, he embarked on his series Lichtbogen, paintings of radiant blue-and-white arcs—and in 2022, his most recent series of nail relief
country: GERMANY
city: DÜSSELDORF
Michelangelo Pistoletto
abstract: Michelangelo Pistoletto was born in 1933 in Biella, Italy, where he continues to live and work today. In 1962, he initiated his Quadri specchianti (Mirror Paintings), for which he gained international recognition. A participant in New York’s Pop art scene and pioneer of the Arte Povera movement, he created his sculptural series Oggetti in meno (Minus Objects) in 1965–66 and began his evolving body ofVenere degli stracci (Venus in Rags) in 1967, both of which harness everyday materials. That same year, he began orchestrating happenings and performances outside of traditional exhibition spaces and founded the interdisciplinary theater troupe Lo Zoo (The Zoo) in 1968. In the 1990s, he established Cittadellarte – Fondazione Pistoletto, placing social change at the heart of his practice. He recently publishedOminiteismo e demopraxia. Manifesto per una rigenerazione della società (Hominitheism and Demopraxy: Manifesto for the Regeneration of Society, Chiarelettere, 2017) andLa formula della creazione (The Formula of Creation, Edizioni Cittadellarte, 2022). In 2023, Pistoletto presented a series of new works that employed QR code and AI technologies, coining the termmetaopera. He has been the recipient of numerous international awards, including the Golden Lion for Lifetime Achievement at the Venice Biennale (2003), Wolf Prize from the Wolf Foundation (2007), and the Praemium Imperiale for Painting from the Japan Art Association (2013). The artist’s paintings and scul
mail:This email address is being protected from spambots. You need JavaScript enabled to view it.
web: http://www.pistoletto.it
country: ITALY
city: TURIN TO
Andy Warhol
abstract: Andy Warhol changed the way we look at the world, and the way the world looks at art. With his exhaustive observation of cultural trends, from his rise to Pop art fame in the early 1960s up until his death in 1987, he identified the images and aesthetics shaping the consumer-driven postwar American experience, and transformed what he saw into a sophisticated yet accessible body of work. He invented new ways of image making, vastly expanding what was considered fine art, and also a new kind of artist, one who merged art and life, and treated painting, photography, filmmaking, writing, publishing, advertising, branding, performance, video, television, digital media—and even his own persona—as equally valid terrain for creative experimentation. Often lost in his own celebrity and myth is the fact that he is widely considered one of the most important postwar artists of the 20th century.
mail:This email address is being protected from spambots. You need JavaScript enabled to view it.
web: https://warholfoundation.org/
country: U.S.A.
city: NEW YORK NY
Sam Francis
mail:This email address is being protected from spambots. You need JavaScript enabled to view it.
web: http://samfrancisfoundation.org/
country: U.S.A.
city: GLENDALE CA
Jean-Michel Basquiat abstract: Jean-Michel Basquiat was born in Brooklyn to Haitian and Puerto Rican parents in 1960, and left home as a teenager to live in Lower Manhattan, playing in a noise band, painting, and supporting himself with odd jobs. In the late 1970s, he and Al Diaz became known for their graffiti, a series of cryptic statements, such as “Playing Art with Daddy’s Money” and “9 to 5 Clone,” tagged SAMO. In 1980, after a group of artists from the punk and graffiti underground held the “Times Square Show,” Basquiat’s paintings began to attract attention from the art world.Many of Basquiat’s works have been likened to the improvisational and expansive compositions of jazz. Often themes accumulate through multiple references on the surface, emerging as patterns out of gestural brushstrokes, symbols, inventories, lists, and diagrams. Most images in Basquiat’s works have double and triple meanings, some of which the artist discussed and others that he left undefined, remaining open to viewers’ interpretations. Basquiat sought and enjoyed unlikely collisions of imagery and words, massive influxes of information and stimuli that recreated the experience of being in a world by turns exciting, inspiring, oppressive, and toxic.
mail:
web: https://basquiat.com/
country: U.S.A.
city: NEW YORK NY
Roy Lichtenstein mail:
web: https://lichtensteinfoundation.org/
country: U.S.A.
city: NEW YORK NY
Gunther Uecker abstract: A central figure of Düsseldorf’s postwar Group Zero, Günther Uecker has for seven decades developed his reliefs comprising dynamic arrangements of nails. Born in 1930 in Wendorf, Germany, Uecker studied at the Kunsthochschule Berlin Weissensee and Kunstakademie in Düsseldorf, where he lives and works today. In the 1950s, influenced by Eastern philosophy and Gregorian chanting, he began a ritual of hammering nails. These materials signify protection and creation to the artist, who remembers nailing planks over the windows of his home to deter Soviet troops after the Second World War. By 1957, he was hammering nails onto canvas to achieve a “sundial” optical effect, casting light and shadow in ephemeral patterns. Soon, he integrated lightboxes, rotating discs, television sets, and chairs (Stuhl, 1963) into his nail sculptures. In 1961, Uecker joined Heinz Mack and Otto Piene in the anti-expressionist movement Group Zero, which prioritized expanding beyond the traditional dimensions of the canvas into kinetic, serial, and participatory realms. After the group’s dissolution in 1966, Uecker’s work incorporated aspects of conceptual and land art, and he began designing stage sets for operas. Among his public works are From Darkness to Light at the United Nations, Geneva (1978) and a Reflection and Prayer Room for the Reichstag, Berlin (1998–99). In 2020, he embarked on his series Lichtbogen, paintings of radiant blue-and-white arcs—and in 2022, his most recent series of nail relief
country: GERMANY
city: DÜSSELDORF
Michelangelo Pistoletto abstract: Michelangelo Pistoletto was born in 1933 in Biella, Italy, where he continues to live and work today. In 1962, he initiated his Quadri specchianti (Mirror Paintings), for which he gained international recognition. A participant in New York’s Pop art scene and pioneer of the Arte Povera movement, he created his sculptural series Oggetti in meno (Minus Objects) in 1965–66 and began his evolving body ofVenere degli stracci (Venus in Rags) in 1967, both of which harness everyday materials. That same year, he began orchestrating happenings and performances outside of traditional exhibition spaces and founded the interdisciplinary theater troupe Lo Zoo (The Zoo) in 1968. In the 1990s, he established Cittadellarte – Fondazione Pistoletto, placing social change at the heart of his practice. He recently publishedOminiteismo e demopraxia. Manifesto per una rigenerazione della società (Hominitheism and Demopraxy: Manifesto for the Regeneration of Society, Chiarelettere, 2017) andLa formula della creazione (The Formula of Creation, Edizioni Cittadellarte, 2022). In 2023, Pistoletto presented a series of new works that employed QR code and AI technologies, coining the termmetaopera. He has been the recipient of numerous international awards, including the Golden Lion for Lifetime Achievement at the Venice Biennale (2003), Wolf Prize from the Wolf Foundation (2007), and the Praemium Imperiale for Painting from the Japan Art Association (2013). The artist’s paintings and scul
mail:
web: http://www.pistoletto.it
country: ITALY
city: TURIN TO
Andy Warhol abstract: Andy Warhol changed the way we look at the world, and the way the world looks at art. With his exhaustive observation of cultural trends, from his rise to Pop art fame in the early 1960s up until his death in 1987, he identified the images and aesthetics shaping the consumer-driven postwar American experience, and transformed what he saw into a sophisticated yet accessible body of work. He invented new ways of image making, vastly expanding what was considered fine art, and also a new kind of artist, one who merged art and life, and treated painting, photography, filmmaking, writing, publishing, advertising, branding, performance, video, television, digital media—and even his own persona—as equally valid terrain for creative experimentation. Often lost in his own celebrity and myth is the fact that he is widely considered one of the most important postwar artists of the 20th century.
mail:
web: https://warholfoundation.org/
country: U.S.A.
city: NEW YORK NY
Sam Francis mail:
web: http://samfrancisfoundation.org/
country: U.S.A.
city: GLENDALE CA
Art Basel Miami Beach 2025, USA - 5 > 7 December, 2025 @ArtBasel
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Art Basel Miami Beach 2025
Miami Beach Convention Center 1901 Convention Center Drive Miami Beach, FL 33139+41 58 206 27 06 e-mail:
5 > 7 December, 2025
In our American show, leading galleries from five continents show significant works by masters of Modern and contemporary art, as well as the new generation of emerging stars.
Private Days (by invitation only)
Wednesday, December 3, 2025, 11am to 7pm, First Choice
Wednesday, December 3, 2025, 4pm to 7pm, Preview
Thursday, December 4, 2025, 11am to 7pm, First Choice and Preview
Thursday, December 4, 2025, 4pm to 7pm, Vernissage
Wednesday, December 3, 2025, 11am to 7pm, First Choice
Wednesday, December 3, 2025, 4pm to 7pm, Preview
Thursday, December 4, 2025, 11am to 7pm, First Choice and Preview
Thursday, December 4, 2025, 4pm to 7pm, Vernissage
mpefm USA fair art press release
Public days:
Friday, December 5, 2025, 11am to 6pm
Saturday, December 6, 2025, 11am to 6pm
Sunday, December 7, 2025, 11am to 6pm
TICKET OPTIONS*
Tickets may be purchased online here. Tickets can also be purchased at the box office in the West Lobby of the Miami Beach Convention Center, beginning December 5, 2025.
First Access Ticket USD 105
Day Ticket USD 88
Reduced Day Ticket USD 68
For students and seniors.
Children's Ticket Free
Premium Pass USD 850
Premium Connection Pass USD 2500
Art Basel & Design Miami Combination Ticket USD 130
Friday, December 5, 2025, 11am to 6pm
Saturday, December 6, 2025, 11am to 6pm
Sunday, December 7, 2025, 11am to 6pm
TICKET OPTIONS*
Tickets may be purchased online here. Tickets can also be purchased at the box office in the West Lobby of the Miami Beach Convention Center, beginning December 5, 2025.
First Access Ticket USD 105
Day Ticket USD 88
Reduced Day Ticket USD 68
For students and seniors.
Children's Ticket Free
Premium Pass USD 850
Premium Connection Pass USD 2500
Art Basel & Design Miami Combination Ticket USD 130
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#ArtBaselMiamiBeach #contemporaryart #USAFairArtPressRelease
#Jean-MichelBasquiat, #ThomasHouseago, #FrankStella, #AlexanderCalder, #SimoneLeigh, #MickaleneThomas, #FrancescoClemente, #RoyLichtenstein, #CyTwombly, #N.Dash, #JoelMesler, #GuntherUecker, #NikideSaintPhalle, #PabloPicasso, #AleksandraWaliszewska, #NicoleEisenman, #MichelangeloPistoletto, #AndyWarhol, #LeonorFini, #RichardPrince, #AlisonWatt, #SamFrancis, #EdRuscha, #TomWesselmann, #TuHongtao, #ThomasSchutte, #ChristopherWool






