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GALERIA MILLAN, São Paulo, BRAZIL at arPa 2022, São Paulo, BRAZIL : booth B01 - June 1 > 5, 2022 @arpa_art @galeria_millan‏

"booth B01"

José Damasceno, Guga Szabzon


GALERIA MILLAN

Rua Fradique Coutinho, 1360 São Paulo, SP Brasil 05416-001

Phone: +55 11 3031 60 07 Email This email address is being protected from spambots. You need JavaScript enabled to view it.


Pavilhão Pacaembu, no Complexo Pacaembu, Praça Charles Miller, s/n, São Paulo

T 55 11 96857 9231 e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

June 1 > 5, 2022, 2022

José Damasceno, Ângulos, 2010 (210x190cm), ft/ph: Ana Pigosso
Guga Szabzon, Beira, 2022 (183,5x150,7cm), ft/ph: Bruno Leão
José Damasceno, Colmeia, 2016 (100x40x60cm)
Guga Szabzon, Ficção, 2021 (129,5x176,5cm), ft/ph: Bruno Leão
booth B01
Writing is trace, drawing is breath is the title of the project organized by curator Galciani Neves for Galeria Millan's booth at ArPa - Art Fair. The works by Guga Szabzon (São Paulo, 1987) and José Damasceno (Rio de Janeiro, 1968) are brought together by ways of thinking about line and space as plastic events. They also constitute a place of coexistence in their differences and singularities: Guga and her concentration on a drawing that takes place on fabric and Damasceno experimenting with sculptural issues and object construction processes.
This selection aims at presenting to the public works that were recently produced by the artists and that discuss drawing in a broad sense, detaching themselves from a specifically schematic nature, that is, which is put at the service of the work.
In Guga and Damasceno's works, drawing is a gesture of writing in space, by its own force. And because of this, it leaves traces of a body and proposes possibilities of relationship. There is, in this idea, a will to think drawing and writing out of the obviousness that surrounds these notions (writing that is not only focused on the word and drawing that is not only plastic production), in its temporal crossings (one is not a structure/project for the other), in hybridizations (games of ambivalence, exchanges, limits).
The line has a strong presence in works such as Beira, by Guga, and Ângulos, by Damasceno. In Guga Szabzon's works, the line crosses and demarcates spaces and narratives in fabrics. While in Damasceno's works, the line is in various materials, it is contour, scene, and also crack. Constructions of spaces are also established and seem to point to logics of encounter, as in Nós, by Guga, and Iguais, by Damasceno.

  

José Damasceno

  

  

Guga Szabzon

  

Preview for guests
June 1st, Wednesday
mpefm BRAZIL fair art press release
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GALERIA MILLAN, São Paulo, BRAZIL at arPa 2022, São Paulo, BRAZIL : booth B01 - June 1 > 5, 2022, 2022 @arpa_art @galeria_millan